
It’s rage time! Brooklyn, New York’s MartyParty delivers an exclusive 90bpm smash-fest in the most recent mix of our podcast series! Ten tracks chocked full of wobble bass driven drumstep and drum’n bass are peppered with remixes of tunes both old and new. Grab a ton of free music from MartyParty over at his website, and check out his latest Sub On EP released earlier this month, going all the way to #6 on the iTunes Dance charts.
Subscribe to the BWOMP! Mix Series Podcast through iTunes, or check out all of the mixes here.
Tracklist:
1. MartyParty – Lose This
2. MartyParty – Ice Cream Truck
3. Plan B – Love Goes Down (Doctor P Remix)
4. Willow Smith – Whip My Hair (Crizzly Remix)
5. MartyParty – Sassy
6. PANTyRAiD – Testarossa
7. Mimosa – Block Party
8. Sister Nancy – Bam Bam (MartyParty Remix)
9. Rihanna – Rude Boy (TC Remix)
10. Kosheen – Hide U (MartyParty Remix)
BWOMP! Mix Series 011: MartyParty – Purple Rage
About Author: Psymbionic
As a part of the upcoming generation of electronic music producers, Psymbionic creates aural experiences that demonstrate the possibility for multi-tempo Bass Music and culture to exist within a range of more divergent influences. Passion and innovation drives this young producer, facilitating his forthcoming and past releases on labels such as Muti Music, MalLabel, and Gravitas Recordings, just to name a few. With this latest project, John Burcham has been moving bodies and turning heads for several years, playing with acts such as Bassnectar, STS9, Beats Antique, ill.Gates, Excision, EOTO, and Tipper. In addition to festival appearances that include Nocturnal, Wakarusa, and Sonic Bloom, Psymbionic demonstrates heavy involvement both on the stage and behind the scenes at electronic showcases such as his local SXSW in Austin, TX. Burcham’s work informs his repertoire with roots in the furthest reaches of the electronic music scene, and grants him a unique perspective on each crowd through the latest developments of the industry. In a live show context, Psymbionic confronts mixes that are limited to the scope of the build and release, avoiding an industry epidemic of drop-monotony that overpowers the flow of music. Burcham seeks to prove that there are more powerful influences in moving a crowd than simple tension, providing an interwoven dynamic that relies on the strength of his blend, rather than the sole force or familiarity of the apex. Psymbionic’s theory of music is a journey that doesn’t visit the same place twice, building excitement for what’s next not because you can anticipate it, but because you’ve never been there before. For more information on Psymbionic, visit http://www.PsymbionicMusic.com/










Chyeah!
Woooo!
Big ups Marty!